Evs IPDirector Version 6.2 - June 2013 DIRECTOR’S CUT User Manual

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Summary of Contents

Page 1 - USER MANUAL

Version 6.2 - June 2013USER MANUALDIRECTOR’S CUT

Page 2

Supported EDL FormatsDirector's Cut supports the following EDL export formats:• AVID media composer (AAF)• AVID interplay (webservice AAF checkin

Page 3 - User Manuals on EVS Website

When assigning a switcher gateway to the production (in the configuration settings), allthe information about cameras and director's cut points i

Page 4

Area DescriptionThe table below describes the various parts of the Director's Cut window:Area Description1. ConfigurationareaThis area allows you

Page 5 - Table of Contents

2. Configuring the Production2.1. Overview of the Configuration AreaGeneral DescriptionThe Configuration area allows you to access configuration setti

Page 6 - IV Table of Contents

2.2. Configuring A/VSources andDestinations2.2.1. Setting Audio/Video ParametersIntroductionThe audio/video parameters must be set through the A/V Co

Page 7 - What's New?

Selecting a Switcher GatewaySelect the EVSswitcher gateway from the Switcher Gateway dropdown list.When the system tries to establish the connection

Page 8 - VI What's New?

List of Video InputsThe list of video inputs displays the following information:Field DescriptionInput Video input name.Recorder Recorder assigned to

Page 9 - 1. Introduction

2.2.2. Setting Destination TargetsIntroductionThe destination parameters must be set through the Destinations tab of the Configurationwindow.The Desti

Page 10 - 1.2. Typical Workflow

Assigning a Destination Target to All Inputs1. From the Destination Target area, tick the Apply to all inputs checkbox.2. Then, click the button.The

Page 11 - 1.3. Starting the Application

Exporting Bad Takes in the EDLAll the takes, good or bad, are streamed as video clips. The metadata of the bad takes canbe written in the EDL. If you

Page 13 - 2. Configuring the Production

In order to ... Proceed as follows:OR• Click the button to save the currentsettings as a new configuration.Delete a configurationClick the button, and

Page 14 - Destinations

Area DescriptionArea Description1. ProductionDirectories AreaThis area displays the Productions folder as a tree.2. ProductionSelection AreaThis area

Page 15 - Managing the Video Inputs

Possible ActionsIn order to ... Proceed as follows:Select the directory of theproduction1. By default, the Productions directory doesnot contain any s

Page 16 - Managing the Audio Inputs

IllustrationPossible ActionsIn order to ... Proceed as follows:Name the production Edit the Name field.Set a date for the production By default, the c

Page 17 - Introduction

2.3.4. Managing ProductionsGeneral DescriptionThe Production Management window allows you to create, edit, and delete productions.The Production Manag

Page 18 - Defining the TCTrack

2.4. Opening the Working BinFrom the Configuration Settings area of the Director's Cut main window, click the OpenBin button to open a Database E

Page 19 - Configurations

3. Working with Takes3.1. Overview of the Takes Grid AreaGeneral DescriptionThe Takes grid area contains information on the current production timecod

Page 20 - Illustration

Field DescriptionTCTrack Timecode when the take has been started (according to the timecodeset in the production configuration).StartTime Timecode whe

Page 21 - 2.3.2. Selecting a Production

Possible ActionsIn order to ... Proceed as follows:Start the recording ofa takeClick the button from the toolbar. The takestarts being recorded in the

Page 22 - 2.3.3. Editing a Production

3.4. Sending the EDLExporting EDL from Director's CutWhen the show is completed, or any time during the show, as soon as at least one takehas bee

Page 23 - Possible Actions

CopyrightEVS Broadcast Equipment S.A.– Copyright © 2005-2013. All rights reserved.DisclaimerThe information in this manual is furnished for informatio

Page 24 - 2.3.4. Managing Productions

Recovery of the EDL in Final Cut ProWith Final Cut Pro, the EDL information is shown as follows:22 3. Working with TakesEVS Broadcast Equipment S.A. -

Page 25 - 2.4. Opening the Working Bin

4. Status BarGeneral DescriptionThe status bar displays status information, and allows you to set a review channel for theproduction takes.Illustratio

Page 26 - 3. Working with Takes

EVS Broadcast Equipment S.A.- June 201324 4. Status Bar

Page 28

To learn more about EVS go to www.evs.comCorporate+32 4 361 7000North & Latin America+1 973 575 7811Asia & Pacific+852 2914 2501Other regional

Page 29 - 3.4. Sending the EDL

EVS Broadcast Equipment S.A.- June 2013II

Page 30 - 22 3. Working with Takes

Table of ContentsTABLE OF CONTENTS IIIWHAT'S NEW? V1. INTRODUCTION 11.1. Product Overview 11.2. Typical Workflow 21.3. Starting the Application 3

Page 31 - 4. Status Bar

EVS Broadcast Equipment S.A.- June 2013IV Table of Contents

Page 32 - 24 4. Status Bar

What's New?In the user manual, the icon has been added on the left margin to highlightinformation on new and updated features.No new and modified

Page 33

EVS Broadcast Equipment S.A.- June 2013VI What's New?

Page 34

1. Introduction1.1. Product OverviewDescriptionDirector's Cut is an IP Director module allowing production operators to stream thedirector’s cut

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