Evs IPDirector Version 6.2 - June 2013 IPEDIT User Man User Manual

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Summary of Contents

Page 1 - USER MANUAL

Version 6.2 - June 2013USER MANUALIPEDIT

Page 2

6.18.2. How to Define or Modify a Macro Command 2256.18.3. Calling a Macro Command From the Timeline 2256.19. IPEdit Settings 2256.19.1. General 2256.

Page 3 - User Manuals on EVS Website

Selection Based on the Nowline Position• To select all elements before the nowline, including the elements where the nowline ispositioned, press CTRL

Page 4

6.5. Placing Media in the Timeline6.5.1. Applicable PrinciplesIntroductionThe following principles are applicable when you want to place media in the

Page 5 - Table of Contents

• When you add a growing clip without mark OUT, a popup message is displayed toforce the user to specify a duration for the timeline element, and cons

Page 6 - IV Table of Contents

Name of Timeline ElementsWhen a clip is added to the timeline, however it has been created (either created in thePlayer or dropped from the Browser),

Page 7 - 6. TIMELINE 43

Timeline during the Insert action:Timeline after the Insert action:92 6. TimelineEVS Broadcast Equipment S.A. - June 2013 Issue 6.2.A

Page 8 - VI Table of Contents

OverwriteUser Interface Button Keyboard Shortcut ShuttlePRO key(Player mode)When the Overwrite mode is active, the clip will be added to the requested

Page 9 - Table of Contents VII

Timeline after the Overwrite action:Match Frame ReplaceUser Interface Button Keyboard ShortcutThe Match Frame Replace button allows you to replace tim

Page 10 - GLOSSARY 248

6.5.3. Adding Media in Insert or Overwrite via theKeyboard, ShuttlePRO or Player ButtonsIntroductionThese methods to add media to the timeline are dir

Page 11 - What's New?

See section "Position Applied to the Timeline Element" on page 97 for moreinformation on the media position.3. In the Browser, double-click

Page 12 - X What's New?

Possible CasesThe following table summarizes the impact of the track selection in the Player and theTimeline on the element added to the timeline:Trac

Page 13 - 1. Introduction

What's New?In the user manual, the icon has been added on the left margin to highlightinformation on new and updated features.The sections update

Page 14 - 1.4. Opening IPEdit

4-Point EditThe user performs a 4-point edit when two reference points are defined in the Player paneand two reference points are defined in the Timel

Page 15 - 2. User Interface

EditTypePoints/Marksin PlayerMarks in Timeline Element Positionmark OUT point of insertedmedia3-pointedit- - IN OUT Nowlineon markOUTBlue indicator po

Page 16 - 4 2. User Interface

4. If you want to define a new mark IN and mark OUT points in the Player, do thefollowing in the Player:◦ Browse to the requested position.◦ Click the

Page 17 - 2. User Interface 5

Possible CasesThe principles applied to define which tracks will be added to the timeline are thefollowing:If the media is dragged from…Then …the Play

Page 18 - 3. Managing Channels

In this case, the IN point or mark IN point defined in the media to add is matched to themark OUT point in the timeline.6.5.5. Adding Media Using the

Page 19 - 3. Managing Channels 7

ProcedureTo replace one or more timeline element(s) of the same source clip using the Match FrameReplace function, proceed as follows:1. In the Player

Page 20 - 3.3.1. Purpose

ProcedureTo replace one or more timeline element(s) of the same source clip from the nowline to theOUT point using the Match Frame Replace function, p

Page 21

Replacing Timeline Parts From Mark IN to MarkOUTDescriptionThe following schema shows how the Match Frame Replace is performed when a part oftimeline

Page 22 - 10 3. Managing Channels

5. Do one of the following to execute the Match Frame Replace:◦ Click the Match Frame Replace button in the Player.◦ Press on the keyboard.The parts o

Page 23 - 4. Browser

◦ If the current timeline element does not belong to a group of linked clips, selectanother recorder on which you will create a new clip. This clip wi

Page 24 - 12 4. Browser

EVS Broadcast Equipment S.A.- June 2013X What's New?

Page 25

6.5.7. Appending a Timeline to the Open TimelineIntroductionYou can append a timeline to the open timeline, provided both timelines have the sameconfi

Page 26 - 14 4. Browser

6.6. Deleting Elements from the Timeline6.6.1. IntroductionThe elements of a timeline are said to be 'lifted' when they are deleted from the

Page 27 - 5. Player

2. Press .The selected elements are deleted and replaced by blank elements.How to Lift Media Between the Mark IN and MarkOUTTo delete a part of a time

Page 28 - 16 5. Player

Second MethodTo delete elements from a timeline in Insert mode, proceed as follows:1. Select the elements of the timeline to be extracted by clicking

Page 29 - 5.2. Video Display

• The elements initially positioned on the right of the moved element are shifted to theleft to fill the gap of the moved elements.When you perform a

Page 30 - Player in IPEdit

Selection Type ExampleOne element onone trackContiguouselements on onetrackOne or morecontiguouselements onseveral tracksPossible Move TypesYou can on

Page 31 - 5.4. Loaded Media Information

◦ To move the elements so that they can be dropped anywhere in the timeline, clickCTRL and drag the elements to the requested position (magnet effectd

Page 32 - 5.4.4. Timecode Field

6.7.5. How to Move Elements Using the ArrowsTo move timeline elements using the arrow keys, proceed as follows:1. Click the Insert/Overwrite Global Mo

Page 33 - 5.4.5. Train Name Field

Limits for the Standard ExtendThe elements can be extended up to the limits of the media still available before the INpoint and after the OUT point of

Page 34 - When a Record Train is Loaded

After an Extend Slow/Fast ActionWhen the user clicks the Extend Slow/Fast button , IPEdit automatically shifts theOUT point of the clip to the positio

Page 35 - 5.5.1. Purpose

1. Introduction1.1. PurposeIPEdit is a video editing solution fully integrated in the IPDirector framework that deliversreal-time performance through

Page 36 - 24 5. Player

6.8.2. Overview of the Extend ActionsThe following table shows an overview of the extend actions. The same Extend actionsapply to the Extend Slow/Fast

Page 37 - 5. Player 25

BeforeAfter Extend IN in Insert ModeThe IN point of the timeline element 'ADL_CLP_3-00' has been shifted to the left in theavailable A/V mat

Page 38 - 26 5. Player

6.8.4. Extending OUT in Insert or Overwrite ModeWhen you perform an Extend OUT, you extend a timeline element by shifting its OUTpoint to the right. T

Page 39 - 5. Player 27

After Extend OUT in Overwrite ModeThe OUT point of the timeline element 'adl_clp_9-00' has been shifted to the right in theavailable A/V mat

Page 40 - Pause Button Contextual Menu

The Extend IN or OUT action generate the same results as the Extend IN or Extend OUTactions:Extend IN/OUT Corresponds to …Insert & Extend to mark

Page 41 - Timecode Fields Display

6.8.7. How to Extend OUT or Extend OUTSlow/Fast a Timeline ElementTo extend the mark OUT point of a timeline element, perform as follows:1. With the T

Page 42 - 30 5. Player

6.9. Trimming Elements in the Timeline6.9.1. IntroductionDefinitionThe Trim function consists of adjusting the IN or OUT point of a timeline element.

Page 43 - 5.6. Timeline Editing Buttons

During the Trim ActionAfter the Trim ActionIPDirector- Version 6.2- User Manual- IPEdit6. Timeline 125

Page 44 - 5.7. Player Track Selection

6.9.2. Overview of Trim Modes and Trim ActionsThe following table gives an overview of the possible trim actions. You can find moredetailed informatio

Page 45 - 1 track of 8 mono channels

6.9.3. Activating and Deactivating the Trim ModesHow to Activate the Trim ModeYou can activate the trim mode on the requested transitions with the mou

Page 46 - 34 5. Player

• Clip/Track Audio volume automation• Cue and play timeline on Control Panel and Remote D• Local and distant clips and trains can be used (XNet).• Und

Page 47 - 5.8. Audio Monitoring

With the ShuttlePROTo enter the trim mode with the ShuttlePRO, proceed as follows:1. Position the nowline next to the transition on which you want to

Page 48 - Parameters

To activate the … In the user interface, …On the keyboard,…Trim Right mode (RippleB)Click next to the transitionon the right element:Press ]Result: Th

Page 49 - Headphones

How to Leave the Trim ModeYou can leave the trim mode with the mouse, the keyboard shortcut, or the ShuttlePRO.With the MouseTo leave the trim mode wi

Page 50

• When the transition is rolled to the left:The 1st element is trimmed, i.e. its OUT point is shifted to the left.The 2nd element is extended, i.e. it

Page 51 - 5.9.1. General Information

Trim Left in Insert ModePrincipleIn a trim left performed in Insert mode, the OUT point of an element is shifted to the right(i.e. element extended) o

Page 52 - 5.9.3. Ways to Load Clips

After the trim actionTrim Left in Overwrite ModePrincipleIn a trim left performed in Overwrite mode, the OUT point of an element is shifted to therigh

Page 53 - 5.9.5. Ways to Load Logs

During the trim actionAfter the trim actionTrim Right in Insert ModePrincipleIn a trim right performed in Insert mode, the IN point of an element is s

Page 54 - 42 5. Player

Before the trim actionDuring the trim actionAfter the trim actionTrim Right in Overwrite ModePrincipleIn a trim right performed in Overwrite mode, the

Page 55 - 6. Timeline

Example: Shift to the rightThe following example shows a trim right in Overwrite mode where the element istrimmed. A blank element is added in front o

Page 56 - 6.1.2. Timeline Name and IDs

6.9.5. Trimming Timeline ElementsHow to Trim an Element in the User InterfaceTo trim an element using the user interface, proceed as follows:1. Select

Page 57 - 6.1.3. Timeline Display

2. User Interface2.1. Overview of IPEditIllustrationThe IPEdit window contains the areas highlighted on the screenshot below:Area DescriptionThe table

Page 58 - Mark IN /OUT Points

How to Trim an Element Using the KeyboardShortcutsTo trim an element using the keyboard shortcuts, proceed as follows:1. Select the Insert of Overwrit

Page 59 - Background Color

How to Trim an Element Using the ShuttlePROTo trim an element using the ShuttlePRO, proceed as follows:1. Select the Insert of Overwrite mode to be ap

Page 60 - Lasso Selection Area

In other words, slipping a timeline element moves its IN and OUT points to another framein the A/V material still available. The IN and OUT points wil

Page 61 - Functions

During the Slipping ActionIn this case, the IN point and OUT point of the elements are being shifted to the left:• The available A/V material on the s

Page 62 - 50 6. Timeline

6.10.2. Activating and Deactivating the Slip ModeHow to Activate the Slip ModeYou can only activate the slip mode on one or more elements of the same

Page 63 - 6. Timeline 51

NoteWhen the slip mode is active on given elements, the ShuttlePRO can also beused in slip mode on these elements.How to Leave the Slip ModeWith the M

Page 64 - 52 6. Timeline

->2. Click the requested Timeline Track Selection buttons to select or unselect thetracks you want or do not want to slip.3. Click the mouse on one

Page 65 - 6. Timeline 53

2. Click the keyboard shortcuts , , , and/or to select orunselect the tracks you want or do not want to slip.3. Use the following keyboard shortcuts t

Page 66 - 54 6. Timeline

6.10.6. How to Slip an Element by Setting a NewTimecodeYou can slip one or more element(s) by redefining either the TC IN or TC OUT. If severalelement

Page 67 - 6.1.5. Transition Effects Bar

Moving the position of the timeline element will reduce or extend the length of thesurrounding elements in the timeline as the contiguous limits of th

Page 68 - Related Functions

Area Description1. Player The Player allows editors to load and browse existing media, i.e. clips,record trains or logs, as well as create new clips b

Page 69 - 6. Timeline 57

Element Selected for Slipping ActionAll elements of the same source clip are selected for the slip action:During the Slide ActionIn this case, the ele

Page 70 - 58 6. Timeline

Final SituationThe position of the slid element in the timeline has been shifted to the right. However, theIN and OUT point of the slid elements have

Page 71 - Fast Rewind (Multispeed)

NoteWhen the slide mode is active on given elements, the ShuttlePRO can also beused in slide mode on these elements.How to Leave the Slide ModeWith th

Page 72 - 60 6. Timeline

2. Click the requested Timeline Track Selection buttons to select or unselect thetracks you want or do not want to slide.3. Click the mouse on one of

Page 73

6.11.5. How to Slide an Element Using theShuttlePROTo slide one or more elements of the same source media using the ShuttlePRO, proceedas follows:1. A

Page 74 - Scale Bar

• No effect can be defined on an element for which no guardband or record train isavailable.Automatic Versus Manual Transition EffectsThe Transition E

Page 75 - Mute Button

6.12.2. Selection of Transitions and Tracks onWhich to Apply the EffectsIntroductionWhen you define the transition effects, you need to specify the tr

Page 76 - 6.2. Timeline Management

6.12.3. Effect TypesVideo EffectsThe following video effects can be defined on transitions.For a definition on the various effects, refer to the gloss

Page 77 - How to Create a New Timeline

6.12.4. Effect DurationThe video and audio transition effects can have a different duration.The transition effect will not impact the duration of the

Page 78 - Timeline Information Pane

6.12.5. Effect PositionsThe transition effect is always linked to the beginning of the element on which it is defined.It can be positioned as follows:

Page 79 - 6. Timeline 67

NoteThe keyboard shortcut definition is based on the key position on the keyboard,not on a dedicated letter. IPEdit automatically detects the keyboard

Page 80 - Metadata Pane

6.12.6. Add/ Modify Transition Effect WindowOpening the WindowYou can add and modify transition effects manually in the Add/Modify Transitions Effectw

Page 81 - Make a Timeline Online Window

Where are the Transition Effects Applied?Elements from the Same Media SourceBy default, the transition effects defined manually in the Add/Modify Tran

Page 82 - 70 6. Timeline

In the Transition Effect group box of the Add/Modify Transition Effect window, you canmodify these default settings by specifying another type, durati

Page 83 - 6. Timeline 71

Video Transition GPIAbout Video Transition GPIsThe server can trigger an external device that will perform an effect in association with avideo transi

Page 84 - Audio Channel Assignment

5. In the second drop-down list, select the type of the GPI OUT to be used:6. If you need to associate a GPI OUT to the end of the transition, apply s

Page 85 - 6.2.4. Opening a Timeline

They allow you to:• Define the default settings for the transition effects applied manually.See section "How to Define Default Settings for Manua

Page 86 - 74 6. Timeline

How to Add Effects To Elements of the Same ClipTo add transition effects manually to timeline elements of the same source clip, proceedas follows:1. P

Page 87

5. In the Video Transition GPI, specify a Start transition GPI and an End transition GPI, ifrequested.6. Click the Add button.The transition effects a

Page 88 - 76 6. Timeline

2. Click the Add Fx button to open the Add Transition Effect window.3. In the Tracks group box, click the tracks on which transition effects should be

Page 89 - 6. Timeline 77

The transition effects are added to the beginning transitions of the elements that arecovered by the mark IN and mark OUT points and that are selected

Page 90 - 6.2.6. Transferring Timelines

3. Managing Channels3.1. Assigning Player Channels to IPEdit3.1.1. PrincipleThe IPEdit module requires two player channels to function. This pair of p

Page 91 - 6.3. Timeline Editing

The effect type is automatically 'mix'.For example:4. Click OK in the Timeline tab.5. In Timeline pane, tick the following check boxes in th

Page 92 - Slow Motion Features

6.12.10. Deleting Transition EffectsHow to Delete Transition Effects on Elements ofthe Same ClipTo delete transition effects on elements of the same c

Page 93

6.12.11. Editing Timeline Elements with EffectsAs mentioned in section "Effect Positions" on page 157, a transition effect is alwayslinked t

Page 94 - 82 6. Timeline

Swap/Mute FunctionThe swap function makes it possible to change the source audio channel to be played on agiven output audio channel, for example to p

Page 95 - 6. Timeline 83

6.13.2. Overview of the Ways to Define Swaps andMutesAutomatic Swap DefinitionWhat is it applied to?The swap is applied to all output channels of an a

Page 96 - 84 6. Timeline

Where is it defined?This is defined in the general timeline display: right-click (one of) the element(s) of theaudio track on which to apply the swap

Page 97 - 6. Timeline 85

See section "Manual Swap Definition in the Swap/Mute Zoom Mode " on page 179 formore information.6.13.3. Automatic Swap DefinitionDescriptio

Page 98

ResultThe automatic swap action performed generates the following swaps on the output audiochannels of the timeline element:The sourcechannelsare sent

Page 99 - Selection With the Lasso

ExampleInitial SituationThe source media has 4 tracks of 2 channels. The a1 channel has been muted from thePlayer In the timeline, all buttons of the

Page 100 - 88 6. Timeline

Example 1Initial SituationThe timeline audio configuration is 4 tracks of 2 channels. You want to play the channelsa3 and a4 (G2 track) of the source

Page 101 - 6.5.1. Applicable Principles

3.1.3. Automatic PGM AssignmentIf PGM1 or PGM2 is already defined as the default player channel in IPDirector, PGM1and PGM2 are automatically assigned

Page 102 - Availability of Clip Material

Example 2In this example, the audio configuration of the source media is 2 tracks of 8 channels.From the Swap/Mute Configuration window, you swap the

Page 103 - Introduction

6.13.6. Manual Swap Definition in the Swap/MuteZoom ModeDescriptionYou can swap one or more channels of an audio track and apply the swap to thesechan

Page 104 - 92 6. Timeline

2. Right-click in the audio track.3. Select Add Swap/Mute.The Swap/Mute Configuration window is displayed.ExampleInitial SituationThe timeline audio c

Page 105 - Overwrite

6.13.7. Swap/Mute Configuration WindowWindow VariationsThe Swap/Mute Configuration window reflects the audio configuration. So the number ofaudio chan

Page 106 - Match Frame Replace

How to Access the Swap/Mute ConfigurationWindowFrom the General Display of a TimelineTo access the Swap/Mute Configuration window, proceed as follows:

Page 107 - Procedure with the ShuttlePRO

Swap Sources / OutputsDescriptionThe swap sources are the audio mono channels available in all the audio tracks of thesource media added to the timeli

Page 108 - General Principles

UsesIn the Swap/Mute Configuration window of a given track, you can define the following:• which source channels will be sent to the audio channels of

Page 109 - 3-Point Edit

6.13.8. Adding Audio SwapsHow to Add a Swap or Mute to one or MoreElements of an Audio TrackTo add an audio swap to one or more elements of an audio t

Page 110 - 4-Point Edit

How to Add a Swap or Mute From and to GivenPoints of a TrackTo add an audio swap or mute from and to given points of an audio track, proceed asfollows

Page 111 - Drag-and-Drop Actions

◦ For a mute, click in the matrix on the bullet located on the line of the outputchannel to mute.5. If you want to apply the swap between a mark IN an

Page 113

NoteTo un-assign the player channels, double-click the PGM Assignment Displayfield.3.2. Automatic Lock Timeline Function3.2.1. DescriptionWhen player

Page 114 - General Rules

How to Modify a Swap or Mute Defined From andto Given Points of a TrackTo modify an audio swap or mute defined on a part of an audio track, proceed as

Page 115 - OUT Points

How to Delete a Swap or Mute Defined From andto Given Points of a TrackTo modify an audio swap or mute defined on a part of an audio track, proceed as

Page 116 - Procedure

6.14.3. Overview of the Possible ActionsIn the Volume Automation mode, you can perform the following actions:• Increase or decrease the global audio v

Page 117 - Description

Area Description / See section...in the timeline.When it is added to the timeline, each element on the trackhas the same audio level as its source med

Page 118 - Elements

6.14.5. How to Change the Graphic Volume RangeIn order to … Click one or more times …increase the graphicvolume range above the 0db line,the upper arr

Page 119 - 6. Timeline 107

Loading the Track in the Volume Automation PanelTo enter the volume automation mode and load the track in the Volume Automation panel,click the Volume

Page 120

Example: Increasing the Global Volume of a TrackBeforeAfter6.14.8. Increasing or Decreasing the Volume onPart of a TrackHow to Decrease or Increase th

Page 121 - Timeline

Example: Increase the Volume on a Part of aTrackBeforeDuringAfterIPDirector- Version 6.2- User Manual- IPEdit6. Timeline 195

Page 122

6.14.9. Modifying the Volume on a Given Positionof a TrackHow to Modify the Volume on a Given Position ofa TrackTo modify the volume on a given point

Page 123 - 6.7.1. Introduction

DuringAfter6.14.10. Resetting the VolumeHow to Reset the Volume on an TrackTo reset the volume on the whole track loaded, proceed as follows:• In the

Page 124 - Possible Element Selections

3.3.2. How to Control a Player Channel with theShuttlePROThe ShuttlePRO must be physically connected and recognized by the IPDirectorhardware. To cont

Page 125 - Possible Move Types

2. Right-click and select Reset automation volume.The volume of the selected part of the track is reset to its initial volume.How to Reset the Volume

Page 126 - 114 6. Timeline

With the Create Clip from Timeline function, the output:• overwrites or not the initial timeline material,• is saved as a separate clip (and can there

Page 127 - 6.8.1. Introduction

• It is connected to the recorder channel corresponding to the player channel used asTimeline output channel. This channel will be used to automatical

Page 128 - Example of Extend

Step See section...5. The resulting A/V material is ingested back to theserver via the assigned recorder channel."How To Render Part of aTimeline

Page 129 - 6. Timeline 117

Step See section...1. The user first needs to assign a recorder channel toIPEdit to be able to use the Live to Tape function."Assigning a Recorde

Page 130 - 118 6. Timeline

The available recorder channels are displayed.2. Select the recorder channel to be used:You can now set up and use the Replace feature in IPEdit.NoteT

Page 131 - 6. Timeline 119

Specific Replace SettingsBefore using the Replace function, you can adapt the settings to your edit. To access thiswindow, right-click anywhere in the

Page 132 - 120 6. Timeline

The Audio Settings and Audio Channel Input Matrix may vary according to the audioconfiguration. Up to 16 channels may be displayed in the matrix for s

Page 133 - 6. Timeline 121

IntroductionA pre-roll of minimum 1 second can be defined, for example, to allow the user to listen tothe content of the timeline before starting its

Page 134 - Timeline Element

About Replace GPIsWhen you use the Replace function, you have the option to use external devicesmanually. You can also trigger the external devices by

Page 135 - Slow/Fast a Timeline Element

In Timeline mode, two players are associated to form the Timeline Engine. They can bePGM1/PGM2 or PGM3/PGM4. Pressing the Function button assigned to

Page 136 - 6.9.1. Introduction

NoteWhen you define a GPI for the mark IN and for the mark OUT points of theReplace function, you need to define compatible GPI types, for example a l

Page 137 - After the Trim Action

You need to click the Config. button corresponding to the requested track to open theAudio Channel Input Matrix for this track:ExampleYou have four au

Page 138 - 126 6. Timeline

As you want to output the track G1 into the track G3, you will do the following to set up theaudio channel input matrix:• On the G1 track, click on th

Page 139 - How to Activate the Trim Mode

Audio Group Track MuteThis setting makes it possible to specify which audio tracks should be muted during theReplace process.It is possible to either:

Page 140 - How to Change the Trim Mode

5. To start the Replace process, do one of the following:◦ Click the Replace button to start the Replace process OR◦ Press +◦ Press the Replace key on

Page 141 - Next/Previous Transition

1. In the Timeline Track Selection buttons, activate the buttons of the tracks on whichthe Replace process will be performed.2. Set a mark IN point an

Page 142 - 6.9.4. Possible Trim Actions

It is set for video and audio tracks.2. (optional) To set a different mark INpoint for the audio tracks, place the nowline at theright position, then

Page 143 - Example: Shift to the left

The consolidated clip is available in the Browser and you can play it.6.15.8. How To Cancel a Consolidation ProcessYou can cancel the Replace process,

Page 144 - Trim Left in Insert Mode

CharacteristicsThe locators in IPEdit have the following characteristics:• They are represented by a reverse triangle.• They have a user-defined color

Page 145 - Trim Left in Overwrite Mode

3. Fill in the dialog box as follows:a. Tick the radio button of the track to which you want to associate the locator.b. Click the requested color for

Page 146 - Trim Right in Insert Mode

4. Browser4.1. IntroductionThe Browser pane allows users to perform the following actions:Action DescriptionSearching for mediareferenced in the IPDir

Page 147 - Trim Right in Overwrite Mode

2. In the Timeline Track selection, select the track on which the locator is defined (andonly this track), for example the Video track.3. Left-click t

Page 148 - Example: Shift to the right

6.17. Using GPIs in IPEdit6.17.1. General Information on GPIsBasicsThe GPI is the General Purpose Interface device that can be connected to the XT ser

Page 149 - 6. Timeline 137

GPISettingDescription Possible ValuesLevel high,LevellowGPIdurationDuration of GPI signal In frames andsecondsGPI offset Whether, and with how much a

Page 150 - Shortcuts

6.17.4. Clip GPIsPurposeThe Clip GPIs allow the operators to add video effects or foregrounds to the timeline andto play these in real-time, as the ti

Page 151 - 6.10.1. Overview

If you move the timeline element to which the GPI is associated, the locator will movewith the clip.GPI DisplayWhen the GPI Selection button is disabl

Page 152 - 140 6. Timeline

How to Move a Clip GPIWhen a clip GPI is selected, you can move the GPI within the limits of the clip in one ofthe following ways:• By dragging it wit

Page 153 - Final Situation

6.18. Using Macro Commands in IPEdit6.18.1. OverviewWhat is a Macro Command?You can apply some functions in a timeline by means of macro commands.A ma

Page 154 - How to Activate the Slip Mode

6.18.2. How to Define or Modify a Macro CommandTo define or modify a macro command, proceed as follows:1. Click the menu Tools > Settings, and clic

Page 155 - How to Leave the Slip Mode

Volume automation RangeThis option defines the default values for the maximum and minimum graphic volumerange in the Audio Volume Automation panel.Con

Page 156 - 144 6. Timeline

7. Edit While Playout7.1. Introduction7.1.1. General DescriptionPurposeThe Edit While Playout mode allows the users to play out a timeline in IPEdit w

Page 157 - ShuttlePRO

4.2. Searching For Media in the Browser4.2.1. General Search and Filtering FeaturesThe following search and filtering features are common to the Brows

Page 158 - 6.11.1. Overview

Area DescriptionThe table below describes the areas used in EWPmode:Area See section1. TLO commands of theEWP Control Panel"Edit While Playout C

Page 159 - Restrictions With Slow Motion

EVS Servers with 6 or 8 ChannelsWith a 6- or 8-channels EVS server, PGM3/4 are used as timeline engine for timelineediting and PGM1/2 are used as time

Page 160 - During the Slide Action

Deactivation• Click the button again to deactivate the EWP mode.7.1.5. Using the EWP Mode with the BEPlayRemoteThe BEPlay must be physically connected

Page 161

• Work with 6-channel EVS servers having the same Multicam version• Work with the Multicam application, having 4 PGMs on each EVS server, or 3 PGMswit

Page 162 - How to Leave the Slide Mode

7.3. User Interface7.3.1. Edit While Playout Control PanelIntroductionWhen the EWP mode is active, the EWP Control Panel is displayed on the main IPEd

Page 163 - Keyboard

Area Description / See section...1. Locators (variouscolors)See section "Using Locators" in the chapter on IPEdit.2. TLO Nowline The nowline

Page 164 - 6.12. Transition Effects

Master/Slave Synchronization ButtonsOperationUser InterfaceButtonDescriptionSync TLE The Sync TLE button is only relevant with theMaster/Slave redunda

Page 165 - Definition

OperationUserInterfaceButtonKeyboardShortcutDescriptionTLONudgeDecrease+(on numericpad)Clicking the TLO Nudge Decrease buttondecreases temporarily the

Page 166 - Which to Apply the Effects

TLO RemainingThis field displays the remaining time between the TLO on-air nowline position and the endof the TLO.TLO Effective DurationThis field dis

Page 167 - 6.12.3. Effect Types

TLO Commit Button/ or +The COMMIT button allows applying the editing actions performed on the TLE to the TLO,even when the TLO Control Panel is locked

Page 168 - 6.12.4. Effect Duration

4.2.2. Multi Camera Timecode FilterDescriptionorThe Browser provides an additional filtering tool: the Multi camera timecode filter.It allows the edit

Page 169 - 6.12.5. Effect Positions

Area Description1. TLO Nowline The nowline of the on-air timeline is displayed in red.2. TLE Nowline The nowline of the edit timeline is displayed in

Page 170 - Opening the Window

Afterwards, it is not possible to move back to the TLO as it was before the commit action.Users have to undo the editing actions in the TLE and to re-

Page 171 - Transition Effect Group Box

7.4.3. Overwrite the Edit Timeline with the On-AirTimelineIf you do unwanted changes, and want to reset the TLE to the situation when you lastcommitte

Page 172 - Field Description

7.5.2. How to Synchronize the Timeline on theSlave IPEditWhen you use the Edit While Playout mode in a Master/Slave configuration, proceed asfollow be

Page 173 - Video Transition GPI

7.6. Edit While Playout Settings7.6.1. Accessing the EWP SettingsTo access the settings related to the Edit While Playout mode, click the menu Tools &

Page 174

The timeline associated to the GPI 1 turns to TLE.Changes not yet saved are highlighted in green.3. Press CTRL + A to apply the change(s).This informa

Page 175 - Possible Actions

8. Supported Keyboards8.1. IntroductionIPEdit supports the standard Qwerty and Azerty keyboards, as well as a number of hiddenshortcuts for transport

Page 176 - 164 6. Timeline

Hidden Shortcut Transport Control ActionCTRL+F16 Play at -400%CTRL+F17 Play at -300%CTRL+F18 Play at -200%CTRL+F19 Play at -100%K Pause - 0%F13 Play a

Page 177 - 6. Timeline 165

9. ShuttlePRO9.1. Quick Reference in Player Pane246 9. ShuttlePROEVS Broadcast Equipment S.A. - June 2013 Issue 6.2.A

Page 178 - 166 6. Timeline

9.2. Quick Reference in Timeline PaneIPDirector- Version 6.2- User Manual- IPEdit9. ShuttlePRO 247

Page 179

2. Click the Multi Camera Timecode Filtering button to activate this filteringmode.3. If you want to search the database based on the TC of the clip l

Page 180 - 168 6. Timeline

GlossaryTerm/Abbreviation Definition/Explanationa1, a2, a3, ... Writing convention to refer to an audio mono channel of a trackin a timelineBlank Elem

Page 181

Term/Abbreviation Definition/Explanationtimeline elementSlide Editing action that consists of moving the position of an elementin the timeline without

Page 182 - 6.13. Audio Swaps and Mutes

EVS Broadcast Equipment S.A.- June 2013250 Glossary

Page 184 - Timeline Display

To learn more about EVS go to www.evs.comCorporate+32 4 361 7000North & Latin America+1 973 575 7811Asia & Pacific+852 2914 2501Other regional

Page 185 - Zoom Display

5. Player5.1. Overview of the Player Pane5.1.1. Main FunctionsThe purpose of the Player is to easily browse and select the media to be integrated into

Page 186

Area Description1. VideoDisplayPaneThis pane is used to view the loaded item. It can be displayed whenthe user has selected a player channel connected

Page 187

Area Descriptionbuttons See section "Timeline Editing Buttons" on page 31.6. TrackSelectionThe Player Track Selection allows you to select t

Page 188 - Display Mode

CopyrightEVS Broadcast Equipment S.A.– Copyright © 2005-2013. All rights reserved.DisclaimerThe information in this manual is furnished for informatio

Page 189 - Example 1

Automatic AssociationIf the AVH board is associated to the player PGM in the Remote Installer, the videodisplay will automatically be displayed when t

Page 190 - Example 2

5.4. Loaded Media Information5.4.1. Lock ButtonDescriptionThis button makes it possible to lock both player channels associated to IPEdit, i.e. toprev

Page 191 - Zoom Mode

• You and other users will NOT be allowed to use one of the assigned PGMs to play aclip in the Control Panel, or to load a playlist in the Playlist Pa

Page 192 - Manual Swap Action

Display ModeThe user can select the timecode information to be displayed. The following displaymodes are available when right-clicking the Timecode fi

Page 193 - Window Variations

Play/PausePositionIndicatorTimecode Value ColorPause On or between INand OUT pointsCount down to the OUT point WhitePause Before IN point Count down t

Page 194 - 182 6. Timeline

Play/PauseIN/OUTPointPositionIndicatorTimecode Value Colordefined OUT point pointPlay/Pause IN and OUTdefinedAfter OUT point Duration from OUTpointWhi

Page 195 - Swap Sources / Outputs

5.5.2. Transport and Creation FunctionsButtons and Shortcuts DescriptionNoteThe keyboard shortcut definition is based on the key position on the keybo

Page 196 - Additional Options

OperationUserInterfaceButtonKeyboardShortcutShuttlePRO key DescriptionForward and FastRewind Speed"on page 28.Goto IN+Goes to the markIN point de

Page 197 - 6.13.8. Adding Audio Swaps

OperationUserInterfaceButtonKeyboardShortcutShuttlePRO key DescriptionMarkOUTorSets a mark OUTpoint at thetimecode shownin the CurrentTimecode fieldan

Page 198 - Points of a Track

OperationUserInterfaceButtonKeyboardShortcutShuttlePRO key DescriptionGo topreviousframeorGoes to theprevious frame inPause mode.Go tonextframeorGoes

Page 199 - 6.13.9. Modifying Audio Swaps

EVS Broadcast Equipment S.A.- June 2013II

Page 200 - 6.13.10. Deleting Audio Swaps

OperationUserInterfaceButtonKeyboardShortcutShuttlePRO key DescriptionRight-click on thisbutton givesaccess to theother recorders onthe XNet network,w

Page 201

Keyboard ShortcutsPress the Fast Rewind (W) or the Fast Forward (F) shortcut to start playing the mediabackward or forward.Time Information FieldsThe

Page 202

◦ Timecode◦ Timecode and date2. Select one of the options.5.5.3. How to Create a Clip Based on the LoadedMediaBy double-clicking the media in the Brow

Page 203 - 6. Timeline 191

5.6. Timeline Editing Buttons5.6.1. PurposeThe Insert and Overwrite buttons in the Player make it possible to add the media loadedon the Player pane i

Page 204 - 192 6. Timeline

5.6.4. Marking the Media to be Added to theTimelineThe portion of media added to the timeline depends on the IN and OUT points, or onpossible new mark

Page 205 - 6. Timeline 193

• Check boxes in front of the video track and of each audio mono channel allow theselection of the channels individually. The video channel is named w

Page 206 - Part of a Track

2 tracks of 4 mono channels4 tracks of 2 mono channels1 track of 2 mono channels, 1 track of 6 mono channels1 track of 6 mono channels, 1 track of 2 m

Page 207 - 6. Timeline 195

5.7.4. ExampleThe editor wants to add the clip loaded on the Player to the timeline using the Insert buttonin the Player.The clip contains 4 audio tra

Page 208 - 196 6. Timeline

5.8.2. How to Access the Audio MonitoringParametersTo access the audio monitoring parameters, when media is loaded in the Player, click theAudio Monit

Page 209 - 6.14.10. Resetting the Volume

5.8.3. Adjusting the Audio Level Output to theHeadphonesWhere?You can adjust the global audio level that will be output to the headphones in the Input

Page 210 - Replace Function

Table of ContentsTABLE OF CONTENTS IIIWHAT'S NEW? IX1. INTRODUCTION 11.1. Purpose 11.2. Main Features 11.3. Limitations 21.4. Opening IPEdit 22.

Page 211 - Live to Tape Function

5.8.4. Assigning the Audio Channels to theHeadphonesWhere?You can select the audio channels you want to assign to the right and left headphones inthe

Page 212 - 6.15.2. Process Overview

How to Load a TemplateTo load an audio monitoring template from the Audio Output Channels window, proceedas follows:1. In the Template area, select th

Page 213 - Live to Tape

Loadable MediaThe following media can be loaded to the Player:• A clip that contains at least a hi-res clip element (local or distant) present on a se

Page 214 - Clip Into the Timeline

5.9.4. Ways to Load TrainsYou can load a record train by dragging and dropping the train from one of the followinglocations to the Player:• from the B

Page 215 - 6.15.4. Replace Settings

• Pause the record trains by clicking the button. Then, right-click the samebutton and select the requested recorder channel.42 5. PlayerEVS Broadcast

Page 216 - Specific Replace Settings

6. Timeline6.1. Overview of the Timeline Elements6.1.1. Timeline Pane OutlineThe Timeline pane contains the main areas highlighted on the following sc

Page 217 - Pre-Roll and Post-Roll

6.1.2. Timeline Name and IDsTimeline NameDescriptionThe Timeline Name field displays the name of the loaded timeline on the XNet network.Characteristi

Page 218

The timeline ID is made up as follows: <timeline number>/<server> where:• The timeline number is between 1 and 99.• The server number is b

Page 219 - About GPI Offsets

Timecode BarIt displays a graduation of the timecode in the timeline. The timecode of the timeline trackstarts with the timecode defined in the Contro

Page 220 - Audio Swap Input Matrix

Position Information DisplayedTop left Clip nameTop right Element durationBottom left Element TC INBottom right Element TC OUTYou can modify the infor

Page 221 - 6. Timeline 209

5.1.2. Player Pane Outline 155.2. Video Display 175.2.1. Purpose 175.2.2. Prerequisites 175.2.3. Activation and Deactivation 175.2.4. How to Associate

Page 222 - 210 6. Timeline

Color Display MeaningGrayish dark blue Selected blank elementRed Offline timeline element, i.e.:• an element located on a serverthat is not connected

Page 223

6.1.4. Edit Command Bar and General EditingFunctionsIntroductionThe Edit Command bar provides access to the main editing functions. The commandbuttons

Page 224 - Function

OperationUserInterfaceItemKeyboardShortcutShuttlePRO key DescriptionInsert/Over-write GlobalModeoror- TheInsert/Over-write GlobalMode functionmakes it

Page 225 - 6. Timeline 213

OperationUserInterfaceItemKeyboardShortcutShuttlePRO key DescriptionSet TimelineMark OUTorPlaces a markOUT on thetimeline at thecurrentnowlineposition

Page 226 - 214 6. Timeline

OperationUserInterfaceItemKeyboardShortcutShuttlePRO key DescriptionDeletebetween MarkIN and MarkOUT- Deletes thetimeline mediabetween themark IN andt

Page 227

OperationUserInterfaceItemKeyboardShortcutShuttlePRO key Descriptiontracksselected in thetimeline trackselection.Extend Makes itpossible toextend orsh

Page 228 - 6.16.2. Adding Locators

OperationUserInterfaceItemKeyboardShortcutShuttlePRO key DescriptionExtendSlow/Fast+- Makes itpossible toextend orshorten atimelineelementwithout addi

Page 229 - 6. Timeline 217

Extend Slow/FastThe Extend Slow/Fast function makes it possible to extend or shorten a timeline elementwithout adding new material. This action will s

Page 230 - 218 6. Timeline

6.1.6. Locator ButtonsOperationUserInterfaceItemKeyboardShortcutDescriptionGo To NextLocator+Makes it possible to move to the nextlocator defined in t

Page 231 - 6.17. Using GPIs in IPEdit

OperationUserInterfaceItemKeyboardShortcutShuttlePRO key DescriptionRecue - Allows the user torecue the timeline,i.e. toautomaticallyposition thenowli

Page 232 - 6.17.2. Replace GPIs

6. TIMELINE 436.1. Overview of the Timeline Elements 436.1.1. Timeline Pane Outline 436.1.2. Timeline Name and IDs 446.1.3. Timeline Display 456.1.4.

Page 233 - 6.17.4. Clip GPIs

OperationUserInterfaceItemKeyboardShortcutShuttlePRO key Description"Consolidating aPart of a Timeline"on page 198.CreateClip fromTimeline-

Page 234 - GPI Display

OperationUserInterfaceItemKeyboardShortcutShuttlePRO key Description"Audio Monitoring"on page 35.FastForward- Starts movingforward through t

Page 235 - How to Delete a Clip GPI

• at various speeds, by pressing several times the J keyboard shortcut:◦ 1 click: -100 %◦ 2 clicks: -150%◦ 3 clicks: - 200 %◦ 4 clicks: - 250%◦ 5 clic

Page 236 - 6.18.1. Overview

Area DescriptionTC position on the timeline, if any mark OUT point is defined.If you want to position the mark OUT point on a given TC of thetimeline,

Page 237 - 6.19. IPEdit Settings

Keyboard ShortcutsThe following keyboard shortcuts allow you to select and deselect the tracks directly fromthe keyboard.Button Keyboard Shortcut Desc

Page 238 - 6.19.3. Replace Settings

Move BarThe Move bar makes it possible to move within the timeline when the whole timeline is notdisplayed in the timeline pane at the defined scale.•

Page 239 - 7. Edit While Playout

6.2. Timeline Management6.2.1. Contextual Menu on the Timeline NameFieldYou can manage a timeline via the Timeline contextual menu. To access it, righ

Page 240 - 7.1.3. Channel Assignment

Menu Command DescriptionExplorer.Delete Timelineand ClipsDeletes the loaded timeline from the IPDirector Database andfrom the server, as well as the c

Page 241 - Activation

◦ If you do not define the LSM ID and TC Track, they will be automatically assignedwhen you click OK to create the timeline.◦ keywords◦ audio configur

Page 242 - 7.2. Master/Slave Redundancy

Field Description Mandatory?Name Name of the timeline in maximum 32 characters. Yes.Description Description of the timeline in maximum 256charactersN

Page 243 - 7. Edit While Playout 231

6.7.1. Introduction 1116.7.2. Possible Element Selections and Move Types 1126.7.3. How to Move Elements By Drag-and-Drop 1136.7.4. How to Move Element

Page 244 - 7.3. User Interface

Field Description Mandatory?keywords and assign them to media.AudioConfigurationAudio configurations which can be used in thetimeline.According to th

Page 245 - Transport Command Bar

• 2 tracks of 8 mono channels• 4 tracks of respectively 2, 6, 2 and 6 mono channels• 4 tracks of respectively 2, 2, 6 and 6 mono channels6.2.3. Conver

Page 246 - Speed Nudging Buttons

70 6. TimelineEVS Broadcast Equipment S.A. - June 2013 Issue 6.2.A

Page 247 - Locator Buttons

The following table describes briefly how you can use the various fields in this window:Field DescriptionTimeline Name Name of the timeline in maximum

Page 248 - TLO Remaining Commit Duration

Unconverted FeaturesThe conversion process will not preserve:• the Hide tag• the Start mode settings• the Stop mode settings• the Loop mode settings•

Page 249 - Commit Button Contextual Menu

6.2.4. Opening a TimelineIntroductionThere are different ways to open a timeline. This section describes the two modes to openthe timeline from IPEdit

Page 250 - Playout Mode

The following checks are performed when you drag a timeline from the Browser:• If the timeline is not compatible with the audio configuration of the l

Page 251 - 7.4.2. Committing the TLE

6.2.5. Copying and Moving a TimelineIntroductionWhen you copy or move a selected timeline, IPEdit copies the timeline definition, and ifrequested, the

Page 252 - Master/Slave Configuration

Fields in the Copy Timeline Window76 6. TimelineEVS Broadcast Equipment S.A. - June 2013 Issue 6.2.A

Page 253 - Configuration

The table describes the various fields in the window above displayed:Field/Button Description Mandatory?Name Name of the timeline in maximum 32 charac

Page 254 - 7.7. Managing GPI in TLO

6.13.2. Overview of the Ways to Define Swaps and Mutes 1726.13.3. Automatic Swap Definition 1746.13.4. Automatic Mute Definition 1756.13.5. Manual Swa

Page 255 - 7. Edit While Playout 243

The timeline is copied or moved onto the selected server. You can monitor the copy ormove process in the Transfer Monitoring box in the main window an

Page 256 - 8. Supported Keyboards

The possible transfer types are briefly described below. All transfer types are possiblewith nearlines. However, the supported transfer types to a tar

Page 257 - 8. Supported Keyboards 245

Editing Functions See section...Placing media in the timeline usingthe• Insert or Overwrite mode• Match Frame Replace mode"Placing Media in the T

Page 258 - 9. ShuttlePRO

Super Slow Motion ClipsSLSM clips (33% or 50%) can be added to the timeline.The display speed is automatically their initial speed (33% or 50%) with s

Page 259 - 9. ShuttlePRO 247

All editing actions are possible on growing clips placed in timelines, except extend actionswhen the growing clip is stopped before reaching the size

Page 260 - Glossary

MenuCommandDescriptionResync A -> V Resynchronizes the selected audio tracks to the correspondingvideo tracks.Resync V -> A Resynchronizes the s

Page 261 - Glossary 249

To move the nowline or change its position, the following actions are possible:To move the nowline … Do the following:to a specific positionwithin an

Page 262 - 250 Glossary

To move the nowline … Do the following:Press (if no element selected)ORJog one frame to the left with the ShuttlePROby 10 frames to the righton the ti

Page 263

To add … Do the following …Mark INPlace the nowline at the requested position and click .Note:If you have already defined a mark OUT point in the time

Page 264

To deselect … Do the following …one timeline element Press CTRL while clicking the timeline element todeselect.all selected timelineelements• Click in

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